Located among pristine woodlands in the Ryerson historic home in Riverwoods, Il., Brushwood Center at Ryerson Woods promotes the importance of nature for nurturing personal and community wellbeing, cultivating creativity, and inspiring learning.
Author: Megan Donahue
Meet Kirsten Saunders
Kirsten Saunders began working with clay in college in 1982 and was hooked right away. Though her B.A. is in Psychology/Sociology, she took many fine art classes and workshops through the years to hone her skills and develop her own style. She taught children’s art classes while raising her own children, and still enjoys teaching occasionally and experiencing children’s playfulness and discovery.
See Kirsten’s art on display at Brushwood Center at Ryerson Woods August 30 – September 27, 2025.
Turtle at the pond, by Kirsten Saunders. Media: Pottery
Kirsten’s Artist Statement
Kirsten is most inspired by her ever changing garden, whimsy, and her love of nature and its amazing creatures. Each piece is one of a kind, created in her home studio in Gurnee, Illinois. Working mostly with Terra Cotta clay, pieces are wheel thrown, hand built, or a construction of both. Her mosaics are a blend of crockery, her own pottery, glass and other enticing items.
Image: Loving Hands, by Kirsten Saunders Media: Pottery
Artist of the Month Events
August 30 10:00 am – 3:00 pm | Free Open Art Workshop with Kirsten Saunders
Open Art Workshop is open to anyone who wants to make something in any area of visual arts and crafts, from the experienced artist looking for a community of others to work with, to the complete novice who just wants to try something out in a low pressure environment, or the family looking for a fun kids’ activity to fill their afternoon – this workshop is for you!
Create & Sip is a monthly workshop hosted at Brushwood Center where participants can explore fun projects using supplies and tools from the Brushwood Art Supply Exchange, BASE. It’s an opportunity to get creative, try something new, and enjoy the company of fellow art enthusiasts in a relaxed and welcoming atmosphere.
Image: An monarch butterfly ornament by Kirsten Saunders
Earlier this spring, I was walking through the woods. It was one of those first perfect days–warm, but not too hot, the sky a brilliant blue. As I wandered along the paths, I noted the signs of spring migratory birds calling to each other, carpets of spring ephemeral wildflowers, the leaves just starting to emerge. Every year, spring feels like a miracle to me, and this year, especially. On both the macro and micro level, it had been a long winter.
I rounded a bend and saw a fallen tree. Not unusual– the winter winds take some out every year. What struck me was all the new growth sprouting out of it. Branches with bright yellow-green leaves were beginning to unfurl. I looked closer; there was just a small section of the trunk still connected to the roots. Apparently, that was enough to keep this tree going.
The metaphor was hard to miss.
Merriam Webster defines resilience as:
1: the capability of a strained body to recover its size and shapeafter deformation caused especially by compressive stress
2: an ability to recover from or adjust easily to misfortune orchange
In tumultuous times, we know that cultivating resilience is important. When we are that strained body, we want to recover and adjust. Nature offers us many examples of resilience, from the fresh regrowth after forest fires to the dandelions that grow in the cracks in the sidewalk.
“To me, resilience means a way of grounding yourself, recovering. It’s a way of having a self-care plan. I think nature’s just wonderful because it’s so resilient. I mean, it don’t matter if it’s a storm, if it’s a flood, it’s a fire. It always finds a way to heal itself,” says Bruce Wright, founder of Nature’s Emporium in Waukegan.
Here in Lake County, there is a powerful story of resilience and recovery: The Waukegan Dunes.
Lessons from the Dunes
ROOTED IN THE SHADOW OF COAL This summer, Brushwood is exploring the resilience of this ecosystem in a new exhibitionRooted in the Shadow of Coal: Botanical Treasures of the Waukegan Dunes. In this exhibition, we celebrate the plants of the dunes, and also address the Dune’s environmental importance.
The natural environment along the Waukegan lakeshore is special. It includes a rare landscape of dunes, swales, bluffs, and ravines found in very few other places in the world. But the Waukegan Harbor and lakefront were long contaminated by over a century of industry.
“Waukegan’s industrial pollution traces back to its development as a port city. In 1855, the economic future of the town seemed assured with the first train running through Waukegan connecting Chicago to Milwaukee. Waukegan Harbor was one of the busiest on the Great Lakes, and throughout the 1900s Waukegan continued to grow.
Throughout the twentieth century, the city grew as an industrial center with companies such as Abbott Laboratories, Outboard Marine Corporation, and Medline.”
The industrial activity resulted in a staggering amount of pollution, and today Waukegan is home to five Superfund sites (there are eight total in Lake County). Superfund sites are sites of environmental contamination that the Environmental Protection Agency (EPA) designates as significant hazards that must be cleaned up. It also requires the parties responsible for the contamination to either perform cleanups or reimburse the government for EPA-led cleanup work.
At the end of the 20th century, the Waukegan shoreline was overwhelmed with contamination. But with community action and advocacy, the Harbor and surrounding dunes were rehabilitated in an extraordinary way.
From the HEN Report:
…Fortunately, community action and advocacy has led to the continued remediation of these sites, and particularly in Waukegan Harbor. In 1990, the Waukegan Harbor Citizens Advisory Group (CAG) was formed by the Illinois Environmental Protection Agency (IEPA) to lead the development of a remedial action plan (RAP) for the Waukegan Harbor Area of Concern.
In 2013, the final environmental dredge of Waukegan Harbor was completed. As of August 2020, the Waukegan Area of Concern (AOC) has only one Beneficial Use Impairment (BUI) remaining: Restrictions on Fish and Wildlife Consumption. The Illinois Department of Natural Resources monitors polychlorinated biphenyls (PCB) levels in harbor fish.The CAG continues ‘to work with local, state and federal agencies to assure that the remaining contaminated sites located along the Waukegan lakefront are remediated and the remaining BUI is delisted and the AOC be declared an Area of Recovery.’”
“We say that humans have the least experience with how to live and thus the most to learn—we must look to our teachers among the other species for guidance. Their wisdom is apparent in the way that they live. They teach us by example. They’ve been on the earth far longer than we have been, and have had time to figure things out.”
With remediation, protection, new dune fences, and green infrastructure, the natural environment is making a big comeback. In a recent interview with the Chicago Tribune, Lisa May, Waukegan Lakefront Coordinator, talked about the nature on the shoreline re-emerging. “It was Mother Nature taking back her territory. Mother Nature does what she wants, and she always wins.”
The diverse native wildflowers and plants of the dunes have reemerged. Hundreds of plant species grow in what was once a heavily industrial area. This scrap of nature has survived and thrived thanks to community engagement.
Image: Beach Grasses, by Betty Schulte
Cultivating Resilience in Our Communities and Ourselves
“In the Western tradition there is a recognized hierarchy of beings, with, of course, the human being on top—the pinnacle of evolution, the darling of Creation—and the plants at the bottom. But in Native ways of knowing, human people are often referred to as ‘the younger brothers of Creation,’” wrote Robin Wall Kimmerer in Braiding Sweetgrass.
Image: Heart of the Dunes, by Sinead Carus
Jess Rodriguez, Brushwood’s Coalition Building Manager, is one of our resident experts on community and connectedness. Jess says, “A resilient community is one where you can feel safe and supported, one where you can offer support, knowing that your wellbeing is directly intertwined to the wellbeing of those directly around you.”
This practice doesn’t have to be complicated, Jess explains. “It may be as simple as saying good morning, learning someone’s name, and sharing a skill, resource, or new piece of information with someone. A resilient community starts with connection to what is within your reach and has the possibility of having a profound ripple effect.”
There’s a lot to learn from the Dunes about the power of community and the potential to reshape, reform, and recover. In spite of tremendous adversity, the revitalized Dunes show us what it looks like to make a comeback and celebrate the good things that remain. Similarly, as our communities face climate change, political strife, trauma, and uncertain times, we need each other to be resilient.
At first glance, my fallen tree looks like the story of a rugged individual, eking out its existence despite all the odds. But there’s a community at work there, too. The soil and sunlight are feeding the tree. Insects help pollinate it. Birds rest in its branches. That tree is not alone, and neither are we.
This story was first published in Thrive, Brushwood’s seasonal newsletter. It originally stated that theWaukegan Dunes “re-emerged.”Thanks to our friends at theWaukegan Harbor CitizensAdvisory Group for clarifying thatwhile a natural environment hasre-emerged, the current dunalsystem formed in the late 20thcentury.
Artist of the Month is a program at Brushwood Center featuring artists who align with Brushwood Center’s mission and explores themes of health, equity and justice, nature and the environment. Each month we feature an artist who will:
Display their work at Brushwood Center at Ryerson Woods
Teach a Create and Sip Workshop in their area of expertise
Demonstrate their work at an Open Art Workshop
Meet Susan Teller
Susan Teller graduated from the University of Illinois Chicago with a BFA in 1979. She worked at Spring Studio 1979-1982, United Letter, 1982-1984, and the Marshall Fields Advertising Department, 1984-198. She was Staff Artist/ Librarian at the Skokie Public Library, 1997-2022. She currently teaches workshops in paper making, watercolor painting, and book binding. She also teaches classes about women artists, process of making art, and storyboard drawing and development.
See Susan’s art on display at Brushwood Center at Ryerson Woods July 26 – August 28, 2025.
A Rock Is Just a Kiss, by Susan Teller. Media: MDF board, book pages, leaves, nails, string, prints, oil stick, color pencil, acrylic, pigment, soot, found objects, rice paper, cheese cloth, ink, and seeds.
Susan’s Artist Statement
“With all the noise around us everyday it is difficult to find a place for peace and rejuvenation. I know I live in a bubble of certain beliefs and that my truth and what I see happening in the world may be different from what others see. Art making and connecting with nature makes me slow down and see things from a new perspective.
Through my creative practice I can observe beauty in the natural world and in a few scraps of cardboard and rusty pieces of metal that are representative of our time and environment. I meld both traditional and non-traditional materials in my artwork. My mixed media works are rooted in the gestures and textures of the physical world and guided by the growing conflict between man-made industrial objects, disposable materials and our stressed natural environment. Combining recycled objects and natural forms into a new kind of beauty allows me to create a kind of time capsule that is sensitive to the environmental challenges we face in today’s world.
I am inspired by what I have seen on vacations to our National Parks and the everyday world in my own backyard in Skokie, Illinois. I went to visit Glacier Park in Montana about 40 years ago and again just two years ago. During my recent trip I saw the park in a very different light. It was still majestic and beautiful but my awareness of threats like climate change, mining, and human encroachment made me think more about our impact on the natural environment. I am amazed at the power that the earth has and its ability to heal from all the damage that is inflicted upon it. Moving water, ancient rocks, beautiful forests and native plants makes me think about the history of these places and how much they have changed and that makes me feel real and here today.”
Image: Stone Island, by Susan Teller Media: mixed, MDF board, gesso, book pages, modeling paste, watercolor, acrylic, colored pencil, oil stick, pigments, cheese cloth, rusty pieces, ink, and seeds
Artist of the Month Events
July 26 | 10:00 am – 3:00 pm | Free Open Art Workshop with Susan Teller
Open Art Workshop is open to anyone who wants to make something in any area of visual arts and crafts, from the experienced artist looking for a community of others to work with, to the complete novice who just wants to try something out in a low pressure environment, or the family looking for a fun kids’ activity to fill their afternoon – this workshop is for you!
Image:23/30 Reflections Series, by Susan Teller Media: Cardboard, rusty objects, art paper, pencil.
August 13 | 7:00 pm – 9:00 pm | $20
Create & Sip – Accordion Art Books
Create & Sip is a monthly workshop hosted at Brushwood Center where participants can explore fun projects using supplies and tools from the Brushwood Art Supply Exchange, BASE. It’s an opportunity to get creative, try something new, and enjoy the company of fellow art enthusiasts in a relaxed and welcoming atmosphere.
Artist of the Month is a new program at Brushwood Center featuring artists who align with Brushwood Center’s mission and explores themes of health, equity and justice, nature and the environment. Each month we feature an artist who will:
Display their work at Brushwood Center at Ryerson Woods
Teach a Create and Sip Workshop in their area of expertise
Demonstrate their work at an Open Art Workshop
Meet Maryann Wattelle
Maryann Wattelle is a BFA graduate from the Art Institute of Chicago. She focuses on painting, drawing and Art Therapy. She is a mom of four and also a foster mom. In addition to her artistic pursuits, she has worked for American Airlines for 25 years. Her greatest passions are sharing the experience of making art with others and guiding them through their own creative process. Her work is currently on display at the following locations: Forshey Gallery Tall Grass Arts Association, Dragon Fly Gallery Chicago, Downers Grove Library, Elmhurst Art Museum, and Artist Guild Artsy Gallery.
See Maryann’s art on display at Brushwood Center at Ryerson Woods June 28 – July 24, 2025.
Colorado, by Maryann Wattelle. Watercolor on paper collage.
Maryann’s Artist Statement
“Growing up we had just one piece of adornment in our house, DaVinci’s painting of The Last Supper. I’m not certain how we even got that. With my ten siblings, material possessions of any sorts or extras were nonexistent, only to be found by making your own magic. This left mountains of room for our collective imaginations to put our heads together and make rivers flow. I believe this freedom crafted an artist life for me.
Fascination with oil slicks in summer rain puddles, clear glistening drops on blades of grass, ice crystals clinging to barren trees still inspire my art. My art is motivated by and depicts struggles and everyday observations, collective actions, and creative synthesis.
Stained Glass, Watercolor, Printmaking, oil paints and oil sticks are my mediums of choice along with collage, found objects and whatever means express the action or emotion. With a focus and reverence to the natural environment as a reference.
I also enjoy the vast resources of our museums and glean inspirations from my visits.
Art is a shared experience and the streams of color and mark making become the language for me. I work both figuratively and abstract, drawing from current events or memories. Nature is a constant influence with its brilliant hues, tones, lines, and balance. Responding and reacting I attempt to disseminate feelings and emotions into the piece. Success is when a connection is made with the viewer and maybe inspiring their creative sparks too.”
Image: When Sister Forest Sings, by Maryann Wattelle Media: Acrylic on canvas
Artist of the Month Events
June 28 | 10:00 am – 3:00 pm | Free Open Art Workshop with Maryann Wattelle
Open Art Workshop is open to anyone who wants to make something in any area of visual arts and crafts, from the experienced artist looking for a community of others to work with, to the complete novice who just wants to try something out in a low pressure environment, or the family looking for a fun kids’ activity to fill their afternoon – this workshop is for you!
Image: More Than a Tree by Maryanne Wattelle Media: Acrylic on canvas
Create & Sip is a monthly workshop hosted at Brushwood Center where participants can explore fun projects using supplies and tools from the Brushwood Art Supply Exchange, BASE. It’s an opportunity to get creative, try something new, and enjoy the company of fellow art enthusiasts in a relaxed and welcoming atmosphere.
Artist of the Month is a new program at Brushwood Center featuring artists who align with Brushwood Center’s mission and explores themes of health, equity and justice, nature and the environment. Each month we feature an artist who will:
Display their work at Brushwood Center at Ryerson Woods
Teach a Create and Sip Workshop in their area of expertise
Demonstrate their work at an Open Art Workshop
Meet Magdalena Kranc-Velazquez
Magdalena Kranc-Velazquez is a mixed media artist, working in collage. Her work includes intricate collages that feature layering and delicate, yet dramatic, hand painting and drawing. She also creates altered books, creating one-of-a-kind keepsake memory books for her clients, using their photos, jewelry, documents, buttons, and fabrics.
Magdalena’s Artist Statement
“I discovered passion for art while recovering from cancer. During this time I drew closer to God and he showed me places of myself I wasn’t aware of. In my art I want to grasp a longing for unknown world. A safe place. Home for healing, acceptance, joy and love. When I create, I’m in the flow where I’m enjoying the process and trust my artistic choices. Creating art makes me feel relaxed and in the moment where time doesn’t exist.”
Image: Curiosity, by Magdalena Kranc-Velasquez Media: Paper collage, acrylic paint, vintage mirror frame
Artist of the Month Events
May 31 | 10:00 am – 3:00 pm Open Art Workshop with Magdalena Kranc-Velasquez
Open Art Workshop is open to anyone who wants to make something in any area of visual arts and crafts, from the experienced artist looking for a community of others to work with, to the complete novice who just wants to try something out in a low pressure environment, or the family looking for a fun kids’ activity to fill their afternoon – this workshop is for you!
Image: Way home by Magdalena Kranc-Velasquez Media: Mixed media paper collage, vintage mirror frame
Create & Sip is a monthly workshop hosted at Brushwood Center where participants can explore fun projects using supplies and tools from the Brushwood Art Supply Exchange, BASE. It’s an opportunity to get creative, try something new, and enjoy the company of fellow art enthusiasts in a relaxed and welcoming atmosphere.
Image: A collection of junk journals by Magdalena Kranc-Velasquez. Media: Paper, fabric, thread, mixed media
Artist of the Month is a new program at Brushwood Center featuring artists who align with Brushwood Center’s mission and explores themes of health, equity and justice, nature and the environment. Each month we feature an artist who will:
Display their work at Brushwood Center at Ryerson Woods
Teach a Create and Sip Workshop in their area of expertise
Demonstrate their work at an Open Art Workshop
Meet Diana Noh
Diana Noh is an interdisciplinary artist working with photography, fiber, and installation. Her practice celebrates reconstructions of distressed photographs of architectural spaces and landscapes, exploring themes of trauma embedded in her family relationships and cultural in-betweenness.
Diana has exhibited pieces in Asia, North America, and Europe, at venues including Space HNH in Seoul, South Korea; Griffin Museum in Winchester, MA; Woman Made Gallery in Chicago, IL; The Arts Council in Fayetteville, NC; Eastern Market in Detroit, MI; Editart in Geneva, Switzerland; The Art Center Highland Park in Highland Park, IL; Hudson Valley MOCA in Peekskill, NY; Cranbrook Academy of Art Museum in Bloomfield Hills, MI. Her work is collected in the collections of Jennifer and Dan Gilbert, Kyungil University, and numerous Private Collections.
Diana currently resides in Chicago, IL. She holds a B.F.A. from Kyungil University (South Korea) and earned an M.F.A. at Cranbrook Academy of Art (Bloomfield Hills, MI).
Diana’s Artist Statement
“I reconstruct distressed photographs of abandoned spaces and landscapes to explore the trauma of growing up between cultures. I identify with buildings that are hidden but accessible; they stand in for my body and neglected feelings. Born American and raised in a Korean household, the emotional burden of being raised between two different cultures has left me angry, resentful, guilty and confused. I seek to understand my internal fracture through a process of destroying and rebuilding large-scale photographs. I physically break down my imagery, incorporating tearing, burning, stitching, sewing, restoring and breaking parts to visualize my recovery process. These images become a stand-in for my body. I grapple with the tension of materials, construct a space primarily using canvas paper that lays its schema somewhere between two and three dimensions. I employ a variety of stitching methods to introduce chance into the work. Hand-stitching allows me to make intricate but slow stitches; machine-sewing allows me to utilize time but encroaches my authority. I build new layers of skin above my scars. They become my own space to rest, the only space which allows me to intentionally sink into selfishness.
Image: 흥(興), 2024 by Diana Noh Media: Archival pigment print on Hahnemühle canvas
Artist of the Month Events
April 26 | 10:00 am – 3:00 pm Open Art Workshop with Diana Noh
Open Art Workshop is open to anyone who wants to make something in any area of visual arts and crafts, from the experienced artist looking for a community of others to work with, to the complete novice who just wants to try something out in a low pressure environment, or the family looking for a fun kids’ activity to fill their afternoon – this workshop is for you!
Image: Rapport by Diana Noh Media: Archival pigment print on Moab paper
May 14 | 7:00 pm – 9:00 pm Create & Sip – Natural Dyes with Invasive Species
Create & Sip is a monthly workshop hosted at Brushwood Center where participants can explore fun projects using supplies and tools from the Brushwood Art Supply Exchange, BASE. It’s an opportunity to get creative, try something new, and enjoy the company of fellow art enthusiasts in a relaxed and welcoming atmosphere.
Image: 자화상, 2024 by Diana Noh. Media: Archival pigment print
Artist of the Month is a new program at Brushwood Center featuring artists who align with Brushwood Center’s mission and explores themes of health, equity and justice, nature and the environment. Each month we feature an artist who will:
Display their work at Brushwood Center at Ryerson Woods
Teach a Create and Sip Workshop in their area of expertise
Demonstrate their work at an Open Art Workshop
Meet Katelyn Patton
Katelyn Patton is a visual artist working in Chicago who was born and raised in the Midwest. Her practice focuses on the urban ecology and biodiversity of plants in the city and beyond, the ways that material and color can be naturally derived from them, and how this hyper-localized knowledge can be used as a vessel for connecting multiple overlapping histories, stories, and meanings.
Katelyn has been the Maker-In-Residence at the Harold Washington Library, received a DCASE award in 2020, and has had solo shows at Extra Projects, the Lillstreet Arts Center and the NEIU Fine Arts Center Gallery. In 2024 she received her MFA in studio art from UIC. She also received an award from the UIC Sustainability Fund to establish the Art Garden, a space for cross-disciplinary explorations with plants and alternative materials.
Katelyn’s Artist Statement
“My practice focuses on the urban ecology and biodiversity of plants in Chicago (my home), the ways that color can be naturally derived from them, and how this hyper-localized knowledge can be used as a vessel for connecting overlapping histories, stories, and meanings.
To do this, I research different types of plants that can be foraged or cultivated in the city and use these plants to create pigments, dyes and paints through traditional techniques. By grounding this research in my immediate habitat, I am able to confront the complexities and contradictions of the effects of climate change, colonization, and globalization on an accessible community-level scale. My work functions at the border of ecological science communication and fine art.
I believe that artistic interpretation creates an emotional connection beyond datasets and that art changes the emphasis of the questions asked during scientific research and recontextualizes observations. I established the Art Garden within the Plant Research Laboratory at UIC with the aim of generating awareness of the benefits and accessibility of natural fibers, fungi and pigments; fostering an understanding of sustainable materials; and cultivating cross-disciplinary connections. I also maintain a practice of foraging weeds within the city, as they play a fundamental role in urban biodiversity. My graduate thesis focused on common buckthorn, Rhamnus cathartica, an invasive plant that is dominating the forests of the Midwest. I facilitate community dye workshops with buckthorn in order to complicate the simplistic negative narratives surrounding invasive species and encourage people to engage with their environment.”
Image: Common Songs (August) by Katelyn Patton Media: Hollyhock, Coreopsis, Scabiosa, Safflower, Bachelor’s Button and Hopi Black Dye Sunflowers imprinted on silk and linen. The flowers were steam or hammer printed in the shape of bird calls recorded at the site of their harvest.
Artist of the Month Events
March 29 | 10:00 am – 3:00 pm Open Art Workshop with Katelyn Patton
Open Art Workshop is open to anyone who wants to make something in any area of visual arts and crafts, from the experienced artist looking for a community of others to work with, to the complete novice who just wants to try something out in a low pressure environment, or the family looking for a fun kids’ activity to fill their afternoon – this workshop is for you!
This month, our April Artist of the Month Katelyn Patton will be our guest artist. Katelyn is a visual artist working in Chicago who was born and raised in the Midwest. Her practice focuses on the urban ecology and biodiversity of plants in the city and beyond, the ways that material and color can be naturally derived from them, and how this hyper localized knowledge can be used as a vessel for connecting multiple overlapping histories, stories, and meanings. Stop by to learn from Katelyn!
Image: Tagma by Katelyn Patton. Media: Coreopsis, Buckthorn and Scabiosa dyes on silk on panel
April 16 | 7:00 pm – 9:00 pm Create & Sip – Natural Dyes with Invasive Species
Create & Sip is a monthly workshop hosted at Brushwood Center where participants can explore fun projects using supplies and tools from the Brushwood Art Supply Exchange, BASE. It’s an opportunity to get creative, try something new, and enjoy the company of fellow art enthusiasts in a relaxed and welcoming atmosphere.
Katelyn Patton, who will teach us to make Natural Dyes with Invasive Species. For a sneak peek of this project, visit Brushwood’s Open Art Workshop on Saturday, March 29 where Katelyn will be demonstrating from 10-4 pm. You can also see Katelyn’s work displayed in the Brushwood Center Gallery from March 29 – April 24.
Image: Orbweaver by Katelyn Patton. Media: Buckthorn bark dye on silk wheat pasted onto wood panel.